Created using Canva Magic Media AI
storying digital spaces:
Digital Citizenship and Literacies in Education
A final project for EC&I 832 Digital Citizenship & Media Literacies
“The truth about stories is that that’s all we are.”
The stories we tell, that we are told inform who we are today and who we will become.
stories matter.
the truth about stories is...
“The truth about stories is that that’s all we are.” (King, 2010, p. 2)
Human life and existence is made up of stories-- the stories we tell, the stories that are told about us, the stories we hear, and the stories that are so embedded within our very existence that their origins are unclear. In this digital age, this notion of story and storytelling being at the heart of who and what humans are has taken on a new and exciting turn-- we are now curating our stories across media, platforms, and spaces.
In an educational context, how do we become more responsive to the changing landscapes of media and digital access? In what ways do traditional and non-traditional literacy skills intersect and overlap within the context of our current educational systems? How do educators go about supporting students as they curate and write the stories of who they are across digital and non-digital spaces?
If Thomas King (2010) is correct, and I believe that he is, that stories are all that we are-- then, we need to be able to effectively support and teach our students to become critical consumers of the stories told across all media platforms and to be able to develop the skills needed to be engaged citizens in all spaces that they occupy-- we need to support them in writing their own stories and in reading the world (digital and otherwise).
This website represents a culmination of learning and has been created as a digital space to gather resources, reflect on personal pedagogical practices and instruction in the digital age, and to house an English Language Arts unit that centers digital worldbuilding and storytelling (and perhaps, more units in the future).
Retrieved from Adobe Stock Images.
Main Pages
Carving out Digital Space
Reflections on project development and changing pedagogies in the digital era.
Theory & Rationale
Theoretical approach to digital literacies and collaborative storytelling in an anti-oppressive ELA class.
Collaborative Worldbuilding & Storytelling
Unit plan for a collaborative worldbuilding and storytelling for ELA 9.
Carving Out Digital Space: Reflection on the Development of a Final Project
I am on a learning journey, on a path to better understand my own positionality as an educator and learner, and to uncover and challenge the normative systems that have, for generations, been the foundations to our educational systems. This final project for EC&I 832 Digital Citizenship and Media Literacies, is a consolidation of learning– a merging of concepts, ideas, and themes that have framed out my development and growth as an educator and learner over the course of this semester and semesters past.
As a high school teacher, each of the students that populate my classes are citizens of non-digital and digital spaces, they move nearly seamlessly across the borders of these two spaces in efforts to create and tell the stories of their lives– they are curating their identities across media, technologies, and space. At first glance our youth seem to possess the digital skills and knowledge needed to effectively and critically engage in the digital spaces that they immerse themselves in; however, the reality and research suggests that this is far from reality and that explicit learning, supports, and curriculum are needed to ensure that our students grow and develop into critically engaged citizens in the digital and non-digital spaces they occupy.
While my students have certainly grown up in an era of rapidly advancing digital technologies, where they are forming and shaping their lives across digital and non-digital spaces, I did not and have, historically speaking, engaged with digital technologies somewhat apprehensively. Because of my own relationships to digital technologies and spaces, I have not been effectively preparing and supporting my students in their development as digital citizens. With this realization, along with the solidification of the learning I have been doing throughout my post-graduate studies has led me to the creation and development of this website and more specifically the unit detailed here.
I am carving out (digital) space for the meaningful incorporation of digital citizenship competencies and media literacies; a space for the intentional development of pedagogy and instructional practices that are adaptive and responsive to the changing landscapes of education– where digitally incorporative pedagogies meet anti-oppressive and decolonizing pedagogical frameworks.
Theory and RAtionale
This project has its footing in two broad pedagogical frameworks: anti-oppressive education with underpinnings of Critical Race Theory (CRT), and digital citizenship education with a focus on media literacies.
In the last decade (or more), there have been distinct shifts in the ways that people consume and engage with digital media and story themselves across digital and non-digital spaces. In this ever shifting and evolving landscape of (mis)information, rapidly improving AI technologies, and the disintegration of the boundaries between digital and non-digital spaces and identities, educators, scholars, and media critics have raised concerns over the ways that digital media is (re)shaping and informing our current political and social landscapes and have called for the teaching of digital, anti-oppressive literacies at all levels of education. In this digitally integrated social world, it is of critical importance that we turn our attention to the ways that digital citizenship education and anti-oppressive pedagogy might intersect to ensure that our youth are developing the skills needed to navigate the complexities and nuances of their digital and non-digital worlds.
Anti-Oppressive Education and CRT Pedagogy- Story as Disrupter
Anti-oppressive education, informed by CRT education, is the curricular and pedagogical work that is undertaken in classroom and educational institutions in order to eliminate systems of oppression that are embedded within our social and educational systems (Solorzano & Yosso, 2001, p. 473). Pedagogically, CRT and anti-oppressive education frequently employ methods of storytelling, family histories, and narratives as critical tools through which stories of voices frequently silenced are heard and as a means to disrupt and challenge dominant discourses or the “majoritarian story” (Solorazano & Yosso, 2001, p. 475; Delgado, 1989, pp. 2412-2413). Through the work of storytelling and storying, “counter-realities” are imagined–this is the process of (re)imagining our lived spaces without oppressions and of interrogating the systems that are embedded across media and planes of existence (Delgado, 1989, pp. 2412, 2415).
Taking into account the critical and central role that stories and storytelling have in CRT and anti-oppressive education, King’s (2010) assertion that “[t]he truth about stories is that that’s all we are” becomes all the more relevant as it argues that fundamentally humans construct and imagine their social worlds through story and language– thus, giving all forms of storytelling and stories a primacy in our identity formation and curation of self in all forms of media and existence. bell hooks’s (2015) work highlights the power and possibility that story, language, and voice have within our contemporary societies, arguing that “true speaking is not solely an expression of creative power; it is an act of resistance, a political gesture that challenges politics of domination… it is a courageous act– as such it represents a threat” (p.8). Story and storying are actions that can function to dismantle and challenge systems of oppression and to provide counter-points to the onslaught of media we encounter across all digital and non-digital spaces humans occupy. In recent years, digital spaces and platforms, such as X (formerly known as Twitter), Instagram, Facebook, TikTok, and Snapchat have all functioned to change the landscape of storytelling and how identity stories are being curated; however, what has remained is the power that stories hold in (re)shaping and (in)forming our identities and as functional means through which systems of oppression are disrupted and challenged.
(Radical) Digital Citizenship and Media Literacy– Pedagogies for Today and the Future
As accessibility to digital and social media platforms has increased, our social networks, lived experiences, and development of sense of self has progressively begun to transgress the divides between non-digital and digital spaces. This extension of human experiences has been described through multiple lenses and perspectives including the notion of transhumanism and the “one life” model (Gui, 2015; Ohler, 2011). Both of these perspectives suggest that humans no longer function in a singular plane of existence, but that digital spaces and the identities we curate are extensions of our lived realities (Gui, 2015; Ohler, 2011, p. 26). When we begin to view digital spaces and identities as extensions of those lived in the non-digital world, then our educational imperative to support our students in developing the literacies needed to critically engage with the media they consume and create becomes all the more critical.
Set against the backdrop of a changing technological landscape, educational pedagogy and practice need to adapt to the idea that spaces for learning and identity formation are no longer fixed, but instead are disturbed between analogue and digital media and domains (Cannon, 2018, p. 7,8). It is in this dispersion of identity and self, that Ribble’s (2023) 9 Elements of Digital Citizenship ought to be intentionally applied through the teaching of digital literacies. Emejule and McGregor (2016) argue that within the widely accepted understanding of digital citizenship lie problematic elements that fail to address social inequities and oppressions (p. 131). In place of digital citizenship, Emejule and McGregor (2016) propose the concept of “radical digital citizenship”; suggesting that this would function as “praxis through which individual and groups: (1) critically analyse the social, political, economic, and environmental consequences of technologies in everyday life; (2) collectively deliberate and take action to build alternative and emancipatory technologies and technological practices” (p. 131). This conceptualization of “radical digital citizenship,” argues that digital technologies may well function as the spaces through which the work put forth by anti-oppressive and CRT scholars might come to fruition. With adequate education around digital literacies and digital citizenship competencies we might begin to critically read our social stories and to engage in the emancipatory process of storying a future without restraint.
Digital Citizenship, Collaborative Worldbuilding,
and Storytelling Unit
“The truth about stories is that that’s all we are.” (King, 2010, p. 2)
Stories are at the heart of who we are as individuals and how we communicate across digital and non-digital spaces– throughout the duration of our lives we will story ourselves numerous times over. Storytelling has also become a critical and embedded part of anti-oppressive frameworks and as an integral part of how we curate our identities in the digital landscape. This unit is a product of this thinking, focusing on supporting students in developing the critical (digital) literacy skills needed to engage in anti-oppressive thinking and to imagine new possibilities for the future.
Digital Citizenship & Literacy Resources
What follows is a growing list of resources for teaching digital citizenship and literacy across multiple grade levels and courses. Some of the resources include detailed lesson plans, while others are more focused on educator professional development. In order to avoid redundancy, be aware that some of the resources listed here also include links and access points to additional educational technology resources.
An extra serving of podcast recommendations that deal with anti-oppressive theory and pedagogical approaches. Though not specifically related to digital citizenship and literacies, digital spaces and digital citizenship education are spaces where anti-oppressive theory and pedagogy might take hold and have real-world applications for our students today.
Fookn Conversation- Talking About “Academicky” Stuff: Episodic conversations with academics who bring a range of backgrounds and experiences. Lots of familiar names from the academic world appear throughout.
References
Borovoy, A.E. (2015). Digital Citizenship: Resource Roundup. Edutopia. Retrieved from https://www.edutopia.org/article/digital-citizenship-resources/.
Buckley-Marudas, M. F. & Martin, M. (2020). Casting New Light on Adolescent Literacies: Designing Digital Storytelling for Social Justice with Preservice Teachers in an English Language Arts Education Program. Contemporary Issues in Technology and Teacher Education, 20(3), 242-268.
Calderon, D. (2014). Uncovering Settler Grammars in Curriculum. Educational Studies, 50(4). 313-338. DOI: 10.1080/00131946.2014.926904.
Cannon, M. (2018). Digital Media in Education Teaching, Learning, and Literacy Practices with Young Learners [1st Ed. Ebook]. Springer International Publishing. https://doi.org/10.1007/978-3-319-78304-8.
Celeste, M. (2019). Teach Them Well: Media Literacy as a Survival Tool for Marginalized Youth. Spark: Elevating Scholarship on Social Issues. Retrieved from https://medium.com/national-center-for-institutional-diversity/teach-them-well-media-literacy-as-a-survival-tool-for-marginalized-youth-207322e3cd44.
Couros, A. & Hilderbrandt, K. (2015). Digital Citizenship Education in Saskatchewan Schools. Government of Saskatchewan. Retrieved from: https://pubsaskdev.blob.core.windows.net/pubsask-prod/83322/83322-DC_Guide_-_ENGLISH_2.pdf.
Delgado, R. (1989). Storytelling for Oppositionists and Others: A Plea for Narrative. The Michigan Law Review, 87(8). 2411-2441. https://www.jstor.org/stable/1289308.
Emejule, A. & McGregor, C. (2016). Towards a Radical Digital Citizenship in Digital Education. Critical Studies in Education, 60(1), 131-147. DOI:10.1080/17508487.2016.1234494.
Gui, A. (2015). Extended Personal Identity in the 21st Century. Social Epistemology Review and Reply Collective 4(11), 8-14. https://social-epistemology.com/2015/11/05/extended-personal-identity-in-the-21st-century-angela-gui/.
Hergenrader, T. (2017). Steampunk Rochester: An interdisciplinary, location-based, collaborative world building project. In Creating Writing Innovations: Breaking Boundaries in the Classroom. Eds. Clark, M.D., Hergenrader, T., & Rein, J. Bloomsbury. 133-148.
hooks, b. (2015). talking back thinking feminist, thinking black. Routledge.
King, T. (2003). The Truth about Stories: A Native Narrative [Lecture Series]. 2023 CBC Massey Lecture, CBC Canada. https://www.cbc.ca/radio/ideas/the-2003-cbc-massey-lectures-the-truth-about-stories-a-native-narrative-1.2946870.
King, T. (2010). The Truth About Stories. House of Anansi Press Inc.
Lansiquot, R.D. & MacDonald, S.P. (2019). Situating Interdisciplinary Place-Based Learning as a High-Impact Educational Practice. In R.D. Lansiquot & S.P MacDonald (Eds.), Interdisciplinary Perspectives on Virtual Place-Based Learning. Palgrave MacMillan. https://casls-regina.primo.exlibrisgroup.com/permalink/01CASLS_REGINA/1g3evkr/alma9923179520703476.
Loewus, L. (2016). What is Digital Literacy? Digital Literacy: An Evolving Definition. Education Week. Retrieved from https://www.edweek.org/teaching-learning/what-is-digital-literacy/2016/11.
Milovidov, E. & Richardson, J. (2019). Digital Citizenship Education Handbook. Council of Europe. Retrieved from https://rm.coe.int/16809382f9.
Ohler, J. (2011). Digital Citizenship Means Character Education for the Digital Age. The Education Digest, 77(8), 25-27. https://casls-regina.primo.exlibrisgroup.com/permalink/01CASLS_REGINA/1b4umnc/cdi_proquest_miscellaneous_2263230246.
Ribble, M. (2023). Nine Elements. Digital Citizenship. Retrieved from https://www.digitalcitizenship.net/nine-elements.html.
Saskatchewan Ministry of Education (2008). English Language Arts 9. Government of Saskatchewan, Ministry of Education. Retrieved from https://curriculum.gov.sk.ca/CurriculumHome?id=35.
Schmier, S.A. (2021). Using digital storytelling as a turn-around pedagogy. Literacy (Oxford, England), 55(3), 172-180. https://doi.org/10.1111/lit.12250.
Solorzano, D. & Yosso, T.J. (2001). Critical race and LatCrit theory and method: Counter-storytelling. International Journal of Qualitative Studies in Education. 471-495. DOI: 10.1080/095183901163365.
Tomin, B. (Winter 2023). Science Fiction & World Building Workshop [Workshop]. EC&I 855 Current Theories in Teaching Literature, University of Regina, Regina, Canada.
Towndrow, P.A. & Kogut, G. (2020). Digital Storytelling for Educative Purposes. Studies in Singapore Education: Research, Innovation & Practice. https://doi.org/10.1007/978-981-15-8727-6_1.
Thanks!